Thisearly70'sgiallobyUmbertoLenziiscertainlyamongthebestinhisfilmographyandalsointhewholegenre.PersonallyIthinkLenzi'sbestfilmsarethefunnycartoon-turned-filmKriminal,thestylishgialloSevenBlood-StainedOrchids,theexplosiveNapoliviolentaandthis.IntheeightieshedidplentyoffilmtrashinformofEatenAlive,HitcherintheDarkorBlackDemons,allofwhicharerippingsomethingoffand/orverydullandslowmoving.KnifeofIcecamewhenthegialloboomwasatitshottestandtheresultisconvincing. Technicallythefilmissuperb,containinggreatcinematographyinthebeginningwhenwelearnaboutthemaincharacter'straumatowardstrains.Fromthispointon,Lenzishowsushisabilitytobenefitthewidescreenand,forexample,thebicyclerideneartheforestisgenuinelybeautiful!ThisscenealsoshowsLenzi'sabilitytobuildsuspense,veryslowlybutmeaningfully.Afterall,therearen'tsomanymurdersinthewholefilm,onlythesuspensecirculatingaroundthemurderer'sidentity. Onesuspectisadevilworshipperwhichbringsnewaspectstothemystery.Sincethefinalscenetakesplaceinachurch,onecanwonderifLenziwantedtocommentonsomething,maybethehypocriticalmoraleofchurchandsuperstition.Themaincharacter(CarrolBaker)ismutewhichdemandsalotfromherfaceandeyes.Theactressworksverywell,givingusabelievableperformancecirculatingaroundtheemotionsoffearandmentalpain.Theotheractorsaregood,too.Thefinally,however,maynotgivetoopositiveasightaboutfemalesexsincetheyallareexpressedrathernegativelyinthefilm,onewayoranother.Stillthisiseasilyamongthemostnoteworthyinthegenre,notasbloodyastheArgentofilms,forexample,butequallysuspensefulandvisuallyalsointeresting.
廖娟,梅俪儿,张楠,宫哲,贲蓝琪,健子,李景良,孙雨乐
本·金斯利,罗丝·麦高恩,凯文·席格斯,吉姆·斯特吉斯,娜塔莉·普莱斯
未知
板野友美,白石隼也,入来茉里,东智鹤,玉城裕规,小泽亮太,石井心愛,池田铁洋,つぶやきシロー,石井正则,吉田钢太郎
尼古拉斯·凯奇,罗宾·汤尼,马克·布鲁卡斯,Ernie,Lively,雅克·格雷
斯莱法·达尼什/凯特琳·哈尔德曼/MichaelJamesOlindo
DariusSinathrya/CarissaPerusset/SaraFajira
IndahPermatasari/德拉·达蒂安/ClarestaTaufanKusumarina
RisaSaraswati/PrinsaMandagie/RangganaPurwana/NickoIrham/IndyRatnaPratiwi/RianaRizki
朴新阳/李民基/李来